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Węglopolis – metropolitalne związki miast i „pod-powierzchni”

First page of Marta Tomczok’s article Węglopolis in Wielogłos, issue 1 (55), 2023, showing the title, author, and publication details.

First page of Marta Tomczok’s Węglopolis – metropolitalne związki miast i „pod-powierzchni”, Wielogłos, 2023.
Original article published under CC BY 4.0. Screenshot reproduced for reference.

Title
Węglopolis – metropolitalne związki miast i „pod-powierzchni”

English Title
Coalpolis – Metropolitan Relation of Cities and “Under-Grounds”

Author
Marta Tomczok

Journal
Wielogłos, issue 1 (55)

Publisher
Jagiellonian University Press

Year
2023

ISSN
1897-1962 (print)
2084-395X (online)

DOI
10.4467/2084395XWI.23.006.17994

Language
Polish, with an English abstract

Inclusion
Reference to Wonbin Yang’s artistic practice through a quotation from Małgorzata Sugiera, discussing artificial, nonbiological forms, urban adaptation, and speculative evolution.

Page Numbers
Article: pp. 111–129.
Reference to Wonbin Yang: p. 124 (PDF page 14).

About

Marta Tomczok examines coal-mining and post-mining regions through literature, art, and the relationships between cities and their underground environments.

On page 124, Tomczok references Wonbin Yang’s artistic practice through a quotation from Małgorzata Sugiera. The passage discusses Yang’s artificial, nonbiological forms and his exploration of adaptation and evolution within urban environments. It presents the metropolis as a potential setting for unfamiliar forms of life emerging from civilization’s discarded materials.

The reference connects Yang’s practice with speculative thinking about life and the relationships between living and nonliving environments.

Cited Source
Małgorzata Sugiera, Imiona Gai. Myśląc o końcu antropocenu, Prace Kulturoznawcze 22 (1–2), 2018, p. 28. Referenced in Tomczok’s footnotes 45–46.

Links
Węglopolis on the journal website.

Download the full article (PDF, Polish).
The reference to Wonbin Yang appears on p. 124 (PDF page 14).


Acknowledgements

The artist extends sincere appreciation to Marta Tomczok for referencing his artistic practice in Węglopolis, and to Małgorzata Sugiera, whose discussion of his work is quoted in the article.


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