Species series (2009–Present) |
About
|
Species series follows a group of unknown beings that inhabit human territories. The project emerges from Yang’s interest in how life is defined, how we distinguish living from nonliving beings, and how classification systems such as biological taxonomy shape our understanding of what counts as life. It also engages with the possibilities and questions surrounding machine life. The beings in this series take forms that echo discarded materials and forgotten objects scattered throughout the city. Although Yang creates these entities, he positions himself as an observer or researcher rather than a creator, documenting, studying, and preserving them through videos, drawings, and specimen-style displays. Species series is concerned with what life is and how we recognize or fail to recognize and understand other beings. |
Species Index
Specimens
| Specimen Display Cases |
Works on Paper
| Drawings |
Films
| Documentary Films |
Additional Materials
|
Commentary: Ki-Woong Park, Commentary on Wonbin Yang’s Recent Work, 2025 Selected Publications: Madeline Schwartzman, Alive: Synthetic Cells, Feral Robots, Rebellious AI, and the Design of Radical Life. Thames & Hudson, 2025. Anna Davis and Lizzie Muller, “Troublemakers in the Museum: Robots, Romance and the Performance of Liveliness.” In Curating Lively Objects: Exhibitions Beyond Disciplines. Routledge, 2021. Małgorzata Sugiera, “Reel Nature: Speculative Gardens of Eden.” In Emerging Affinities: Possible Futures of Performative Arts. edited by Mateusz Borowski, Mateusz Chaberski, and Małgorzata Sugiera. transcript Verlag, 2019. |
|
Note on Representation Certain works may employ documentary formats, biological terminology, found materials, or forms that resemble living organisms or scientific records. These representations are artistic constructions and should be understood within the context of creative practice. They are not intended as factual biological documentation. Apparent species, classifications, behaviors, or research frameworks may function as conceptual or poetic devices rather than descriptions of actual entities or events. The works are not intended to depict or involve the modification, attachment, or manipulation of living organisms or biological entities. Entities presented within the Species series are entirely artificial constructions composed of non-living materials and, where applicable, mechanical or electronic components. For additional information, please refer to the disclaimer. Disclaimer |